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International art business should be regulated by national and international laws
Project description
1. Identification and application of a range of relevant legal art business issues. 2. Justification of such identification and application.
3. Demonstration of critical analytical abilities.
4. Clarity and balance of relevant issues and justification given
5. Academic presentation (terminology, citation, style, spelling, grammar, syntax).

For-Profit-Share Forms of Trading
? unlimited liability freelancers and partnerships
? limited liability partnerships and companies

Not-For-Profit-Share Forms of Trading
? trusts & foundations
? tax-exempt status
? perpetuities & accumulations
? public authorities
? partnerships and companies

Art Business Contracts
? contract formation
? breaches and remedies
? avoiding legal disputes
? using lawyers & costs

Selling Work (1)
? auctions & consumer protection
? contracts of sale
? agents & dealers Seminar

Selling Work (2)
? import & sales taxes
? estate taxes
? export controls & war loot
? droit de suite/artists resale right

Droit de Suite Research
Provenance & Due Diligence
? key issues
? authorship
? proofs
? problems & solutions

Intellectual Property #1
? rationale and global context
? international treaties and conventions
? copyright #1

Intellectual Property #2
? copyright #2

Intellectual Property #3
? statutory moral rights
? other IPR

Referencing Requirements:
International Foundation for Art Research (IFAR):
Lydiate, Henry (2012). What is Art?
A brief review of international judicial interpretations of art in the light of the UK Supreme Court’s judgment in the Star Wars case: Lucasfilm v. Ainsworth
Journal of International Media and Entertainment Law, American Bar Association, 2012-2013, Volume 4, Number 2:
Lydiate, Henry (1976 to date). Artlaw Archive:

Abbing, Hans. (2007). Why Are Artists Poor? Amsterdam University Press
DuBoff, Leonard D. and Burr,Sherri. (2010). Art Law: Cases and Materials. Wolters Kluwer
Goldstein, Paul and Hugenholtz, P. Bernt. (2012). International Copyright: Principles, Law, and Practice. OUP USA
Greenfield, Jeanette. (2007) The Return of Cultural Treasures. Cambridge University Press. Hoffman, Barbara. (1998) A Visual Artist’s Guide to Estate Planning.
The Marie Walsh Sharpe Art Foundation.
Kearns, Paul. (1998). The Legal Concept of Art. Hart Publishing.
Kubler, George. (1962) The Shape Of Time; Remarks On the History of Things. Yale University Press.
Lerner, Ralph E and Bresler, Judith. (2005). Art Law: Guide. Practising Law Institute.
Mason, Christopher. (2004)
The Art of the Steal: Inside the Sotheby’s-Christie’s Auction House Scandal.
Putnam Publishing Group.
Merryman, John. (2007) Law, Ethics and the Visual Arts. Kluwer Law International.
McLean, Daniel and Louisa Buck; (2012)
Commissioning Contemporary Art: A Handbook for Curators, Collectors and Artists. Thames and Hudson.
McLean, Daniel and Karsten Schubert. (Eds.) (2002). Dear Images: Art, Copyright & Culture. Ridinghouse & Intstitute of Contemporary Arts.
McLean, Daniel. (Ed.) (2007). The Trials of Art. Ridinghouse.
Milrad, Aaron. (2000).
Artful Ownership: Art Law Valuation and Commerce in the USA Canada and Mexico. American Society of Appraisers.
Prowda, Judith B. Visual Arts and the Law. (2013). Lund Humphries & Sotheby’s Institute of Art. Radnoti, Sandor. (1999) The Fake: Forgery and Its Place in Art. Rowman & Littlefield. Robertson, Iain and Chong, Derek (Eds.) (2008). The Art Business. Routledge.
Sax, Joseph. (2001). Playing Darts with a Rembrandt. The University of Michigan Press.


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